In 1961, filmmaker Robert Gardner organized the Harvard Peabody Expedition to Netherlands New Guinea (today West Papua). Funded by the Dutch colonial government and private donations, and consisting of several wealthy Americans wielding 16mm film cameras, still photographic cameras, reel-to-reel tape recorders, and a microphone, the expedition settled for five months in the Baliem Valley, among the Hubula people. It resulted in Gardner’s influential film Dead Birds, two photo books, Peter Matthiessen’s book “Under the Mountain Wall,” and two ethnographic monographs. Michael Rockefeller, of the Standard Oil Rockefellers, was tasked with taking pictures and recording sound in and around the Hubula world. 　　Expedition Content is an augmented sound work composed from 37 hours of tape, which document the strange encounter between the expedition and the Hubula people. The piece reflects on intertwined and complex historical moments in the development of approaches to multimodal anthropology, in the lives of the Hubula and of Michael, and in the ongoing history of colonialism in West Papua.

In 1961, filmmaker Robert Gardner organized the Harvard Peabody Expedition to Netherlands New Guinea (today West Papua). Funded by the Dutch colonial government and private donations, and consisting of several wealthy Americans wielding 16mm film cameras, still photographic cameras, reel-to-reel tape recorders, and a microphone, the expedition settled for five months in the Baliem Valley, among the Hubula people. It resulted in Gardner’s influential film Dead Birds, two photo books, Peter Matthiessen’s book “Under the Mountain Wall,” and two ethnographic monographs. Michael Rockefeller, of the Standard Oil Rockefellers, was tasked with taking pictures and recording sound in and around the Hubula world. 　　Expedition Content is an augmented sound work composed from 37 hours of tape, which document the strange encounter between the expedition and the Hubula people. The piece reflects on intertwined and complex historical moments in the development of approaches to multimodal anthropology, in the lives of the Hubula and of Michael, and in the ongoing history of colonialism in West Papua.

Dark-humored, wise-cracking personality iDubbbz brings criticism and mentality to the online hellhole known as "YouTube", through arguing against the content of some especially disgraceful video makers whose themes range from shallow bullying to self-glorification. The fight for good content has begun.

Dark-humored, wise-cracking personality iDubbbz brings criticism and mentality to the online hellhole known as "YouTube", through arguing against the content of some especially disgraceful video makers whose themes range from shallow bullying to self-glorification. The fight for good content has begun.

A group of tenants facing eviction due to a city renovation unite to fight back, but as they clash with the landlord and his ruthless attorney, they each transform into the opposite of who they once were.

本动画片油画色彩浓郁，背景音乐采用的是罗伯特•舒曼的代表作品。 　　一个暴雨之夜，一位在火车站候车的老人来到附近一家陌生的餐馆暂避。坐下之后，他点了一杯红酒开始翻阅报纸，过程中，他不时被餐馆变幻的迷离光影和形形色色的食客所吸引，然而无论别人正在上演怎样的悲欢离合故事，老人都只是静静观察，并不为之动容，餐馆的诸多美味，对他似乎也没有吸引力。

本动画片油画色彩浓郁，背景音乐采用的是罗伯特•舒曼的代表作品。 　　一个暴雨之夜，一位在火车站候车的老人来到附近一家陌生的餐馆暂避。坐下之后，他点了一杯红酒开始翻阅报纸，过程中，他不时被餐馆变幻的迷离光影和形形色色的食客所吸引，然而无论别人正在上演怎样的悲欢离合故事，老人都只是静静观察，并不为之动容，餐馆的诸多美味，对他似乎也没有吸引力。

Doctor Who spoof by Mark Gatiss and David Walliams.

After being enlisted to recover a dangerous computer program, hacker Lisbeth Salander and journalist Mikael Blomkvist find themselves caught in a web of spies, cybercriminals and corrupt government officials.

The Maccherone organization is out to get a priceless national treasure. But when they see third-generation cat-burglar Lupin as an obstacle, countless assassins are sent to kill him on sight and kidnap his girl Fujiko! Can Lupin get the loot before the Maccherone gang, rescue Fujiko, and stay alive at the same time?